I wasn’t a liar. I was a curator — carefully editing my own story until even I believed the version I was selling.
SELF-HONESTY April 18
“The deception of others is nearly always rooted in the deception of ourselves. . . . When we are honest with another person, it confirms that we have been honest with ourselves and with God.” — AS BILL SEES IT, p. 17
When I was drinking, I deceived myself about reality, rewriting it to what I wanted it to be. Deceiving others is a character defect — even if it is just stretching the truth a bit or cleaning up my motives so others would think well of me. My Higher Power can remove this character defect, but first I have to help myself become willing to receive that help by not practicing deception. I need to remember each day that deceiving myself about myself is setting myself up for failure or disappointment in life and in Alcoholics Anonymous. A close, honest relationship with a Higher Power is the only solid foundation I’ve found for honesty with self and with others.
I never thought of myself as a liar. I want to be clear about that, because it matters to how long this particular defect took me to see. Liars were other people — the ones who got caught, the ones who fabricated stories, the ones whose lives unraveled publicly because the truth caught up with them. I wasn’t that. I was careful. I was selective. I chose which parts of myself to show, and which to keep behind a door that looked like privacy but was really something else entirely.
Today’s reflection names it plainly: the deception of others is nearly always rooted in the deception of ourselves. When I first read that sentence years ago, I thought it applied to the big stuff — the blackout nights I rewrote into tired mornings, the “couple of beers” that were actually eight, the mornings I manufactured reasons for why I looked the way I looked. And sure, those counted. But the deeper deception, the one that outlived the drinking by a long stretch, wasn’t about events. It was about identity. I had spent years curating a version of myself for public consumption — a version that was put-together, self-aware, handling it — and I’d done such a thorough job that I’d lost track of where the performance ended and the actual person began.
People pleasers are especially good at this, and I was a world-class people pleaser. My particular brand of dishonesty didn’t look like lying. It looked like agreeable. It looked like easygoing. It looked like the guy who never made a scene and always said the right thing at the right time. But underneath all that agreeableness was a constant, low-grade editing process — trimming my real feelings, adjusting my real opinions, cleaning up my real motives so they’d land better with whoever was in the room. I wasn’t lying to people in any way I could have identified at the time. I was just… never quite telling them the truth, either. And I was so practiced at it that I’d stopped telling myself the truth, too.
That’s the part of today’s reflection that sticks with me most — the idea that stretching the truth “a bit” or cleaning up your motives “so others would think well of me” is still deception. That sentence made me uncomfortable the first time I read it, because it described my entire social strategy. I wasn’t telling bold-faced lies. I was making micro-adjustments to reality, dozens of times a day, so small that each one seemed harmless on its own. But stacked up over years, those micro-adjustments built a version of me that didn’t actually exist. And the version of me that did exist — the one with real fears and real doubts and real needs — was so far behind the curtain that even I had trouble finding him.
When I got sober, the first wave of honesty was easy, relatively speaking. I could admit the drinking was a problem. I could talk about what it had done to my life. I could say the words “I’m an alcoholic” in a room full of strangers and mean them. That kind of honesty, while hard in the moment, has a clean edge to it. You confess a thing, the room holds it, you move forward. The second wave was harder, and it’s the one I think today’s reflection is really pointing at. That wave wasn’t about confessing what I’d done. It was about confronting who I’d been — the quiet, systematic ways I’d been dishonest not in spite of being a “good person,” but because I was so invested in appearing to be one.
Somebody in a meeting said something early on that I didn’t understand for months: “You can’t recover from a version of yourself that isn’t real.” I heard it, filed it away, and then kept showing up to meetings with my edited self, my curated self, the self that shared just enough to seem vulnerable without actually being vulnerable. And my recovery stayed stuck at exactly that depth — surface-level honest, which is to say, not honest enough to change anything that mattered. The real work started when I got tired of my own act. Not because someone called me out. Because I finally heard myself talking and recognized the performance for what it was. That recognition — quiet, private, mine — was the first honest thing I’d done in longer than I wanted to admit.
The shift didn’t happen because of one moment. It happened because the program kept putting me in situations where the edited version wasn’t sufficient. The Fourth Step inventory doesn’t care about the version of you that looks good on paper. It asks for the real one. The Fifth Step — reading that inventory out loud to another human being — makes it nearly impossible to keep the performance going. You can edit your story in your head all you want, but sitting across from someone with the actual list in your hands, something in the editing process breaks down. You start saying things the way they actually happened instead of the way you’d been remembering them. And every time a piece of the truth came out unedited, I felt something release that I hadn’t known I was holding.
The reflection says that a close, honest relationship with a Higher Power is the only solid foundation for honesty with self and with others. I’ve come to believe that’s true, though I came to it the long way around. For most of my life, my relationship with God was part of the performance too — the version of faith that looked right from the pews, the prayers I prayed because they were expected, the spiritual language I used because it made me sound like I had things together. Getting honest with God required the same work as getting honest with anyone else: stripping away the curated version and showing up as the actual person. Messy. Uncertain. Full of motives I wasn’t proud of and fears I’d been covering with a confident smile for decades.
What I’ve learned — and what today’s reflection reinforces — is that honesty isn’t a trait you either have or don’t have. It’s a practice. A daily, sometimes hourly practice of catching the edit before it leaves your mouth. Catching the motive-cleanup before it settles into your memory as fact. Catching the moment where you’re about to shade a story just slightly — not enough to be a lie, but enough to make you look better than you were — and choosing, deliberately, to tell it straight instead. That practice is exhausting some days. Other days it’s second nature. But it’s never fully automatic, and I don’t think it’s supposed to be. The effort of choosing honesty is part of the point. If it were effortless, it wouldn’t be a discipline. It’d just be a personality trait, and personality traits don’t keep people sober.
The writer of today’s reflection says that deceiving himself about himself is a setup for failure or disappointment. I’d take that further. Self-deception didn’t just set me up for failure. It was the failure. Every other problem in my life — the drinking, the broken relationships, the missed potential, the years spent braced against a world I’d convinced myself was unsafe — traced back to the same root: I wasn’t honest about who I was, what I needed, or what I was afraid of. Fix that, and everything else starts to shift. Not all at once. Not painlessly. But the shift is real, and it starts the moment you stop editing.
These days, I practice self-honesty the way I practice everything else the program has taught me — imperfectly, daily, and with a willingness to be corrected when I drift. I still catch myself shading a story. I still catch myself adjusting a motive so it sounds nobler than it was. The difference is that now I catch it, and catching it is the whole game. The old me didn’t catch it because the old me didn’t know there was anything to catch. He thought the edited version was the real version. He thought the performance was the person.
It wasn’t. And the person underneath — unedited, unpolished, full of the ordinary doubts and ordinary fears that every human being carries — turned out to be someone I could actually live with. Someone my wife could actually know. Someone my Higher Power could actually reach. The performance was impressive, I’ll give it that. But you can’t build a sober life on a performance. You can only build one on the truth. And the truth, as uncomfortable as it was to finally tell, turned out to be the only thing strong enough to hold the weight of the life I was trying to build.
If today’s reflection hit somewhere close, two things from my own path that might help. I put together a recovery journal on Amazon — built around the kind of daily honest writing that makes the editing process harder to hide behind. And MyRecoveryPal is something I created for the in-between moments, when the old instinct to curate kicks in and you need somewhere to practice telling the truth instead. Neither one replaces the program, the sponsor, or the steps. They’re just tools I made because I needed them, and figured I wasn’t the only one.
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